Visual Asset Curation

The difference between "looks like a real brand" and "looks like stock" is almost never the individual photo - it is the selection and treatment of the set. This skill takes candidates (from stock-photo-finder or stock-photo-api) and turns them into a cohesive, intentional, on-brand selection. It owns taste and consistency; it does not search for images and does not rule on licensing.

When to use a sibling instead

• "I need to find candidates first." -> stock-photo-finder.
• "Can I legally use these?" -> image-license-rights.
• "Pull these in via an API." -> stock-photo-api.

The "looks like stock" problem - learn the tells

Generic imagery shares recognizable signatures. If you see these, reject or replace:

• Staged emotion: the over-bright laughing-alone-with-salad, the forced

handshake, "diverse team pointing at a laptop", a thumbs-up to camera.

• Isolated-on-pure-white business props with hard shadows.
• Over-saturated, HDR-crunched, heavily-vignetted "stocky" grading.
• Subjects making direct eye contact and posing - it reads as transactional.
• A set where every image has a different color temperature, lighting, and

crop - the inconsistency itself signals "grabbed from anywhere".

Step 1: Define the visual system before you pick

Decide the rules the set must obey, so selection has a target:

• Palette - the brand's colors plus the temperature you will pull everything

toward (warm/neutral/cool).

• Light key - bright and airy (high-key) vs moody and shadowed (low-key).

Pick one and hold it.

• Tone / register - candid and documentary vs polished and staged. Modern

brands lean candid.

• Subject distance & angle - close and intimate vs wide and environmental;

eye-level vs high/low. Consistency here does more than color.

• Texture/grain - clean digital vs filmic grain. A subtle shared grain can

unify disparate sources.

Step 2: Curate to consistency

Judge images as a set, never one at a time. A great photo that breaks the system hurts more than a good photo that fits it.

• Lay candidates out together at the size they will appear.
• Cut anything whose lighting, color, or tone fights the others, even if it is

the "best" single shot.

• Prefer a slightly weaker image that matches over a stronger one that clashes -

cohesion reads as intentional; one outlier reads as careless.

• Aim for variety within the system: vary subject and crop, but keep light,

color, and tone consistent.

Step 3: Beat the cliche

• Prefer candid over posed, environmental over isolated, **asymmetric

over centered**.

• Favor negative space, real settings, motion, and moments over staged setups.
• Crop aggressively to change a familiar stock composition - a tight, off-center

crop can rescue an over-used image.

• When the obvious literal image is a cliche, choose an adjacent one that

implies the idea (hands and a tool instead of a posed "craftsman" portrait).

Step 4: Compose for the placement

The winning image must work where it lives, not just in isolation:

• Text overlay needs negative space or a calm region; check contrast for

legibility, and plan an overlay/scrim if needed. Respect platform safe areas.

• Focal point should sit on a third, not dead center, and not where UI or

text will cover it.

• Orientation/aspect must match the slot - re-crop to the exact ratio rather

than letterboxing; keep the focal point inside the crop.

Step 5: Grade to unify

When the best available set still mismatches, a light, consistent color grade ties it together: nudge every image toward the chosen temperature, match contrast and black levels, and apply the same subtle grain or fade. A unified grade is often what separates a brand-grade set from a stock dump - and it is cheaper than re-shooting. (Stay within the license: edits are allowed, but re-selling the edited file as stock is not - see image-license-rights.)

Quality bar

• The set was judged together, against a written visual system - not one image at

a time.

• No image carries a stock-cliche tell.
• Light, color temperature, and tone are consistent across the set; variety lives

in subject and crop.

• Each final pick holds its placement (text safe area, focal point, exact aspect).
• A unifying grade was applied if the sources mismatched.